‘Glengarry Glen Ross’ revival examines the dark side of cutting deals

LONDON (Reuters) – In an age in which a serious-estate salesman has assumed the best political business office in the United States, a new revival of David Mamet’s Pulitzer Prize-profitable “Glengarry Glen Ross” in London is highlighting the darkish aspect of the artwork of the deal.

The play, which to start with premiered in London’s National theatre in 1983, charts two times in the existence of a group of determined Chicago serious estate salesmen and chronicles the moral compromises they are ready to make in get to make a sale.

For director Sam Yates, whose London revival stars Hollywood actor Christian Slater, the play is an examination of how language is used to regulate individuals — which Yates thinks hits home in the existing political local climate.

“We have a president in the United States who slash his teeth providing serious estate in the 80s,” the director advised Reuters.

“The way language is used by these men in the play, there’s definitely quite a few, quite a few echoes with how you see Trump buying for time or covering up vastly lack of knowledge or pushing one thing or providing one thing.”

The 1992 film edition highlighted a bravura monologue of sinister masculinity from Alec Baldwin, who won an Emmy this calendar year for his menacing Trump impersonation.

The office bullying on exhibit in the play also strikes a chord at a time when Hollywood is enduring its own scandals of sexual harassment and abuse.

Kevin Spacey, who played an abusive boss in the “Glengarry” film, was fired past week by Netflix from its strike clearly show “House of Cards” after a amount of allegations of sexual misconduct.

Slater, who is returning to the London stage far more than a decade after an acclaimed run in “One Flew Above the Cuckoo’s Nest”, advised Reuters that for way too extensive Hollywood has been “sweeping so quite a few factors below the carpet and living with these hush-hush tiny secrets and techniques, that everyone kind of knows about but doesn’t genuinely want to do anything at all about.”

“That era has to appear to an conclusion, females and men have to experience comfortable in the office, and in every single place,” he reported.

“And this sort of conduct of having gain and manipulating individuals, which is above.”

Reporting by David Doyle, writing by Mark Hanrahan in London

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